Dirk Hooper

February 7, 2010

Interview with Robert Henry for upcoming Dirty Show

Filed under: Interviews — Dirk Hooper @ 4:39 am

This is an archived section of the Dirk Hooper Photography website. Please click here to visit the new Dirk Hooper Photography site!

The Dirty Show is coming up in a few weeks and this is an interview with Toxic Goddess photographer Robert Henry about his piece in the show.

After the interview please visit www.ToxicGoddess.com to see Robert Henry’s photography.

1. Please tell me about the piece that was accepted into the Dirty show.

The piece is of Toxic Goddess Eclipse from the shoot “End of Summer.”

I conceived the shoot as a celebration of a girl becoming a young woman. Richard Kern’s book “Soft” was the work that got me thinking about it in the first place. Eclipse is such a fit, young woman and she emulated what I was hoping to achieve so well. The natural light of the setting sun worked so well to set the proper mood as well. The funny thing is that I named the piece after the entire set but, it takes on a double entendre given the shot is of Eclipse’s rear end.

2. How does this piece fit within your greater body of work?

Within the context of my overall work, Toxic Goddess is the playground where I work out my ideas. It’s the place where I experiment and create work that I love. This is a great example of the work that comes out from a labor of love.

3. How do you feel about having work in the Dirty Show?

Being selected into the Dirty Show is such an honor. This is my second time and I’m still kinda blown away by it. It’s an international show and to share space with so many amazing artists is wonderful.

4. One of the fundamental tenants of Toxic Goddess was to be an engine for creating artwork and a family of creative people. Does Toxic Goddess serve that purpose for you? Please elaborate.

Toxic Goddess fulfills me creatively in so many ways. Being able to work within a select group of models, who are so creative and wonderful beyond modeling, is very rewarding. Because it is such a small group, it takes on a familial atmosphere most of the time. We share each other’s triumphs and tragedies and that brings about a faith that helps lead to so many rewarding experiences.

5. What projects are you working on this year?

Toxic Goddess is at the fore with me at the moment. We’re in the early stages of our second book, looking to debut some new Goddesses, and gearing up for some appearances in the summertime. So I definitely am staying busy there.

Additionally, I’m still working on a series of 4×5 portraits, some infrared and Holga film work as well. I’m still creating work for my body of work called “Forms in Darkness” and that may lead to another show and possibly a book.

Within all that I’ve already mentioned is lurking a few other ideas that may become something more as well.

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January 26, 2010

Toxic Goddess Dame Lebeau Interview on the Dirty Show

Filed under: Interviews — Tags: dame lebeau, dirk hooper, robert henry — Dirk Hooper @ 1:37 am

This is an archived section of the Dirk Hooper Photography website. Please click here to visit the new Dirk Hooper Photography site!

Most of the time you will read about Toxic Goddess Dame Lebeau being the model in a piece of artwork that Robert Henry or I created. Well, Dame Lebeau is a great artist in her own right and to prove it she had a piece accepted in this February’s world renowned erotic art event, The Dirty Show, in Detroit Michigan.

Here’s an interview with Toxic Goddess Dame Lebeau about the art show.

1. Please tell me about the piece that was accepted into the Dirty show.

Dame Lebeau: The piece happened during one of my spontaneous needs to photograph myself. As I photographed parts of my body I had an idea of what it was going to be or what it could be. I did not really have any idea thatI would be so pleased with the end result.

2. How does this piece fit within your greater body of work?

Dame Lebeau: This piece subject wise is very similar to what I normally photograph. My favorite subject is the self. I can not imagine a better way to discover who I am as an artist and model. I have not before constructed a collage. I am very happy with how a collage can create a story that flows.

3. How do you feel about having work in the Dirty Show?

Dame Lebeau: I am very excited about having my piece in the Dirty Show. This is my first real show and I am just going along with the new experience.

4. One of the fundamental tenants of Toxic Goddess was to be an engine for creating artwork and a family of creative people. Does Toxic Goddess serve that purpose for you? Please elaborate.

Toxic Goddess does a great job in encouraging artists to grow. It is run by two great artists, Robert Henry and Dirk Hooper. I cannot help but, to feel inspired when seeing the work they are able to produce. With every shoot I do for TG, I learn more and more about modeling and about photography. I consider us to be a small family and as a family we like to see each one of us grow creatively. It all points back to Toxic Goddess and that is something I believe in.

5. What projects are you working on this year?

I am forever working on more self portraits. I think this year I will work toward having more of my work seen publicly.

Thanks Dame Lebeau! I’ll run Robert Henry’s interview in the next few days, because he got a piece in the show too!

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October 9, 2009

Robert Henry Interview for “Out of Sight” Exhibition

Filed under: Interviews — Tags: out of sight, robert henry — Dirk Hooper @ 1:30 am

This is an archived section of the Dirk Hooper Photography website. Please click here to visit the new Dirk Hooper Photography site!

Robert Henry (photo by Dirk Hooper)

Robert Henry (photo by Dirk Hooper)

Robert Henry and Dirk Hooper collaborated on the upcoming “Out of Sight” exhibition at the Individual Artists of Oklahoma gallery. This is an interview for the press release.

You can see more of Robert’s work on his own website, you can hire him at the Sight Key Studios site and you can follow him on Twitter too!

1. How does this piece fit within your body of work?

The piece is an example of keeping things interesting and trying different things as a photographer. You have lots of ideas but sometimes setting the stage and seeing what comes about is a great way to work. I do this often in my own work but it is definitely interesting letting someone else do the post work on a piece.

2. As a photographer and artist, how important is it to have your work viewed in a fine art setting?

I think it’s a validation of sorts. As an artist you are initially “called” to create something because of how you see the world. However, when you start to create art for others to view, there is a part of you that is wanting a validation. Fine Art is built around that and it is certainly rewarding to have a piece chosen for display.

3. What projects are you working on right now?

At the moment I’m kind if in between ideas. I’m constantly working on several ongoing projects but, I am not really concentrating on putting together one body of work. There’s lots that I want to do: another traditional B&W show, some platinum/paladium pieces, a series of digital composites, and a portraiture project that deals with aspects of what we are vs. what we want(ed) to be.

4. Talk a little bit about the collaboration in this piece, and collaboration in general with Dirk Hooper.

Dirk and I have worked together for years. First on a comic book story followed by publishing and eventually photography. I think we both have a similiar view of the world and our work often starts out very closely related but, as we create, our work diverges and we end up with different results. It’s great to be able to work closely with someone in that manner because it’s almost like looking at an alternate universe of your own work. As if to say “wow, so that’s where it would have ended up if I had chose that path instead of the one that I did.”

This piece is special in that it is rare instance that we truly collaborated to create a piece. We both were present at the shoot and each photographed the model in our own ways in alternating fashion. The final result was a fascinating study of two approaches to the same subject and how they tell the same story but in a different way. I imagine it is a lot like co-authoring a book with another writer.

The photoshoot kind of sat on the back burner for a little while. When I first heard of this show I was intrigued by the idea but got side tracked. Dirk, however, went back to this shoot and began working with the shots and created the final image you see before you. I think it is a great image that merges our creative forces. And let’s not forget the model who trusted us enough to work within our crazy idea.

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